Some thoughts on They Shall Not Grow Old

I took in the special screening in Bismarck on December 17 of Peter Jackson’s documentary film They Shall Not Grow Old that covers the experience of soldiers during the war, focusing on the British. It was a project that was designed and developed during the centennial commemoration of the war and was released in Britain in time for Remembrance Day 2018. There is another special showing on December 27 at selected theaters in the United States and I must encourage everyone to go and see it.

Jackson utilized the film holdings at the Imperial War Museum, as well as hundreds of hours of oral history interviews with veterans to create a masterful work that brought the 100-year-old film to life in an exciting way. The veterans’ voices were dubbed to the film, capturing the overall story of the war within a couple of hours.

Viewers are taken on a journey, as the outbreak of war is noted, followed by the men choosing to enlist, with several noting how they lied about their age to serve. Early enthusiastic days of basic training are recounted, with the air of the unknown and feeling that the war will be quick.

Life in the trenches and at the front in general is an important subject of the film. However, the sequence dealing with combat was intense and the aftermath was harrowing. Finally, the end of the war and the post-war experiences illustrated the hardships and camaraderie shared by the veterans on the front by their collective experience of the horrors of the conflict, as well as the division between those who served and the rest of society that seemed to carry on as if nothing had happened.

What truly stood out to me was the humility and dedication of the men. They experienced the horrors of trench warfare for years and reflected on it years later as a job they had to do and that they did it. Further, they expressed a willingness to go through it again, that their service made them the men they were. Listening to the voices of men that have been silenced by death for years made me question if we have left a legacy worthy of such sacrifice.

The other thing that came across in the oral histories employed in the film was the psychological effects of the war on the veterans. While a few segments included men choking up when reflecting on lost friends and combat experiences, all had the air of trauma to them, just under the surface. The interviewees were middle-age or older when interviewed and you could sense that the invisible wounds and scars of the war were present. The film certainly represents a wonderful example to study the psychological impact of World War I on its veterans and broader society.

As an archivist, I was amazed with the ability to use technology to alter and restore archival material used in the film. While I do not work directly with film resources in my work, I am aware of some of the issues present in working with the medium, especially material as old as the film created in World War I. Seeing how Jackson was able to sharpen, restore, and colorize such film was amazing. Further, his use of sound and the colorization of the film gave it a much more life-like quality.

While the 100th anniversary of the end of the war has passed, there is still much to learn and be written on this conflict. The war altered our world in ways we still are unable to comprehend and shaped history to such a degree that we still deal with the consequences today.

They Shall Not Grow Old is a film worth seeing. It presents the war in a gripping, raw, and real fashion that no other documentary has been able to. It will hopefully cause you to reflect on the sacrifices of past generations and want to learn more about your connections to the war, but most importantly, it will hopefully keep the memories of a now-deceased generation alive a little longer in our hearts and minds so that we might remember them.

Review of “Everyman’s War”

This evening, I watched the independent film “Everyman’s War”, which deals with World War II. This film, put out by Virgil Films, Inc. and One Eighty Films, Inc. tells the story of several soldiers in the 94th Infantry Division, including Don Smith, who fought in the Battle of the Bulge. It received the award for Best Narrative Feature at the 2009 GI Film Festival, which lends great credibility to director Thad Smith’s project.

The film begins with a stirring, but jolting scene from the 94th’s participation in the Battle of the Bulge, near Nennig, Germany, in January, 1945. It shows Don Smith attempting to evade German forces, while seeking to reach headquarters and make them aware of the dire situation for his men, who are facing down the 11th Panzer Division. It then fades to a now elderly Smith reflecting upon his service, while reading a letter informing him that one of his comrades recently passed.

It proceeds to 1943 in Kansas, where a Robert Fuller leaves his family farm for the Army. Other characters that will later interact with Smith are introduced at home, including colorful Angelo Benedetto, who was forced into the Army to avoid prison, and carried his criminal ways to the service, much to the chagrin of Corporal Starks, who became a mentor to Don Smith. German-American Karl Heinrick, faces down bigotry and suspicion to prove himself a loyal and proud American. The impression is given that Smith and most others in his squad are drafted.

The focus on the film is on Don Smith, who was working in a mill in Oregon, while seeming to attend college (he mentioned studying when not working), before the war. He begins a love interest with Dorine, but has to report before he can solidify a relationship. Fuller, Smith, and Benedetto all meet Corporal Starks, a married man from New York, who will become a father while overseas.

The combat for these men begin in northern France in late 1944, protecting coastal batteries in the wake of the D-Day invasion. Benedetto continues criminal activity, which eventually lands him in trouble. Smith and Starks create a strong bond of friendship, which is shattered when Starks is killed, thrusting Smith into leadership, which he proves himself adept at. As the men enter the winter of 1944 and the eventual Battle of the Bulge, the squad is joined by Heinrick, who is brought in as a replacement.

The men enter the town of Nennig to relieve comrades. Smith and his squad in M Company soon face attack from the 11th Panzer “Ghost’ Division, which inflicts casualties, forcing Smith to seek the command post to save his men. In the process his is wounded, but returns to duty several weeks later, only to find most of his buddies are not there, either dead, wounded, or captured. Smith encounters some of the horrors of post-war Germany, including a prisoner taking his life in front of Smith. Smith attempts to piece together what he experienced and saw when he returns home as well as in old age.

This is a story that will touch veterans’ hearts, as they may be able to relate to Smith. Viewers will appreciate the sacrifice of those who fought in World War II. The battle scenes were well-done, and the back-stories on each character exemplified the diverse nature of the American army during the war, ranging from the average men in Smith and Fuller, to those using the military to escape punishment (Benedetto), to those seeking to serve to prove themselves in a time of tribulation (Heinrick). You appreciate the bonds formed by the men, and the heartbreak they suffer, as they lose friends and witness the horrors of war. Based on the true actions of the 94th Infantry Division in Europe, I strongly recommend Everyman’s War for your viewing and give it my seal of approval.

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